The hat

To us, the hat is more than just something that we wear. While the exact style of hat has changed over the years, the meaning has remained the same: it’s a symbol of our shared culture and commitments.

The hat hangs on the wall at the entrance to Red Hat Tower in Raleigh, North Carolina.

We've worn a few

Red Hat® co-founder Marc Ewing was known for his red Cornell baseball cap and his willingness to help people solve their technology challenges. In the computer lab at Carnegie Mellon University, his peers learned that when they needed help they should “look for the guy in the red hat.”

That spirit of helping others, of not hoarding knowledge but sharing it openly with the curious, has lived on through the company’s history.

When Marc and Bob Young started a business selling his custom distribution of the Linux® operating system in 1993, they named the company Red Hat Software. The style of hat used to represent the company has changed over the years as the business grew.

A red top hat on a user manual.

1995: The red top hat appeared on the first Red Hat Software invoice.

The “running man” logo featured on a Red Hat Commercial Linux CD case.

1996: The “running man,” with his little red cap and briefcase, was made from clip art and appeared on ads and manuals.

Shadowman featured on the official Red Hat Linux version 4.2 box.

1997: The introduction of “The Red Hat Man”—later known as Shadowman—and the first iteration of the red fedora.

In 1997, Red Hatters thought of ourselves as “secret agents” of sorts, working hard to change the opinions and future of open source in the enterprise IT industry. The introduction of the mysterious Shadowman symbolized our efforts to sneak past the barriers built by proprietary software companies.

The hat today

Inspired by Shadowman, a red fedora with a black band is what represents Red Hat today. The fedora symbolizes freedom: to share knowledge and code, to form communities, and to stand up for what we believe in. Our associates earn their hats at the beginning of their Red Hat journey and wear them proudly as members of a community of innovators worldwide who champion the principles of open source. We also give them as gifts to partners, customers, and contributors that share our values.

In our communications, offices, and events, we often show hats or allude to them to identify who we are. We wear our hats—on our heads and in our logo—to represent being there to help others, because we know that no one innovates alone.

A group of Red Hatters toss their fedoras at a celebration.

We take photos of Red Hatters wearing their hats in our offices and at events.

A display at Red Hat Summit features dozens of fedoras hanging above the Red Hat Cool Stuff Store booth.

We put hats on racks, hang them in displays, and show them in the backgrounds of our video calls.

Red Hatters collaborate at a table at Red Hat Tower. Behind them is a wall made of red felt with a pattern reminiscent of the curves of a fedora.

We allude to hats using felt textures in graphics and in real life—like office furniture.

Attendees at Red Hat Summit wear special event fedoras.

We share special event fedoras—with the Red Hat logo printed on the band—with partners, customers, and contributors at Red Hat events.

Keeping it all under the brim

Marc Ewing’s legacy as “the helpful person in the red hat” lives on today in every associate around the world. And just as that tradition of passing on expertise to others has expanded well beyond the computer lab at Carnegie Mellon, so too has the tradition of the red hat as a symbol. When we represent Red Hat, we always use a red fedora with a black band.

A red fedora made of felt with a black band.
An image shows 6 hats: A firefighter helmet, a red ball cap, a gray fedora, a red top hat, a red leather cap, and a red cowboy hat.

How we portray fedoras affects the way that people perceive us as an organization. When people see our hats, we want them to think of the collaborative spirit and technology innovation they associate with Red Hat. Be thoughtful about the quality of the fedora itself and also the way you use fedoras—and images of them—to avoid diluting their meaning.

Image showing misuse: An illustration of a man with a photo of a fedora on top.

Don’t place photos of fedoras on top of objects or logos.

A 3D model of a fedora.

Don’t create 3D renderings of fedoras. Use a photo or video of an actual fedora instead.

Image showing misuse: An image features fedoras created by generative AI.

Don’t generate images of fedoras using AI. We use images of our hats, not just any hats.

Image showing misuse: The Red Hat logo, but the hat has been replaced with the photo of a fedora.

Don’t replace the hat in our logo with a photo or rendering of a fedora.

The hat in our logo

When the Shadowman logo was introduced in the late 1990s, the hat represented the fighting, plucky upstart courage of open source. That spirit has evolved and lives on with our current logo, so it’s important to have guidelines in place to ensure the integrity of the hat as a symbol of the principles of the company and of open source.

Our logo is our most recognizable brand asset. Therefore, the stakes are higher for getting it right, so we only use one specific drawing of a red fedora affectionately known as “the hat.”

The hat in our logo.

Using the hat as a trademark

The hat represents our people and culture, but it’s important to remember that it’s also our trademark. As an open source company that contributes most of our intellectual property to upstream communities, it’s even more important that we protect our trademarks by using them correctly.

Regardless of how or where the hat is being used, it should always be the exact trademarked shape we use in our logo.

Shape

Shape

The hat vector drawing consists of three shapes: the crown, the band, and the brim. Sometimes we remove the band, but it’s still visible in the negative space between the crown and brim.

Every representation of the hat should consist of all three of these pieces exactly as they are drawn.

A diagram highlights the 3 pieces of the hat: The crown, the band, and the brim.
Clear space

Clear space

Clear space around the hat should be approximately the height of the brim. Clear space is the area around the hat that shouldn’t have any text, distracting graphics, or other logos. Even more space is better.

A diagram illustrates appropriate clear space around the hat.
Color versions

Color versions 

The full color version of the hat is red with a black band. Use this version of the hat whenever possible, regardless of the background color.

When we need to use limited color because of printing costs, use the one-color version.

An image shows the color versions of the hat with appropriate contrast against the background. On a light background, use the full color hat or the one-color version in red or black. On a dark background, use the full color hat or the one-color version in red or white.
Size

Size

Regardless of where the hat appears, it should always be legible. The minimum size that the hat should be used is 16 pixels in height (0.22in/5.5mm).

There is no maximum size.

A diagram shows the minimum size of the hat.
Dimension

Dimension

When the hat is used in a physical application—like signage or awards—create depth by extruding, embossing, or debossing the shape of the hat.

Do not recreate the hat as a 3D object.

A diagram shows the hat extruded in dimensional space.

Representing Red Hat

In many cases we prefer to use the full logo—defined as the hat plus the “Red Hat” wordmark—when representing Red Hat, in case anyone in the audience isn’t already familiar with our brand. But, in circumstances where the audience is already aware that what they’re seeing came from us, we can use the hat by itself. In these cases, the hat should always be in red.

A screenshot of a browser window shows the hat as the favicon for the Red Hat website.

The hat appears as the favicon on our web pages.

A photo shows a Red Hat business card, which has the hat next to the name of the Red Hatter.

The hat appears beside our information on the front of our business cards.

A screenshot of the Red Hat LinkedIn page showing the hat used as the profile photo.

Our social media accounts use the hat as their profile image.

A photo in the expo hall at Red Hat Summit showing a large sign with the hat hanging above the booths.

We use the hat as signage at our offices and event spaces.

A screenshot from a video in the Connected Campaign series showing a woman working at a laptop with the hat on the back of the laptop screen.

We use the hat as a detail in our videos and advertising.

A photo shows a lapel pin of the hat on a suit jacket.

We use the hat as swag, like lapel pins and keychains.

The hat as artwork

In places where we know everyone is familiar with our brand, we can have fun with the hat. We use it as decorative artwork by masking it inside of shapes, using it as a mask, repeating it in a pattern, cropping it off the page, and more.

Hat artwork should always be in one of our core colors (red, black, gray, or white) and feature the exact trademarked hat from our logo. The full Red Hat name or logo should appear somewhere nearby.

A photo shows a man wearing a t-shirt from the Red Hat Cool Stuff Store featuring a pattern of hats. All of the hats are one-color gray except for one, which is in full color. The full Red Hat logo is printed on the back of the shirt.
A graphic shows the hat used as a mask containing code from the Linux kernel typed in Red Hat Display font. The shape of the mask is the exact trademarked shape from the Red Hat logo.
A photo of a notebook with the hat printed over the spine. The front 3/4ths of the hat is on the front and the last 1/4th is on the back.
A social media graphic advertising the annual “We are Red Hat” event shows the hat masked inside of 9 circles, as though the viewer is looking through the circles at the hat behind them.
A photo shows a privacy cling on a window at a Red Hat office. The cling features a pattern of hats in one-color gray.
A photo shows a poster advertising a New Hire Orientation social. The text on the poster has been used as a mask with the hat placed inside of the mask, as though the viewer is looking through the letters at the hat behind them.
A photo shows people moving through the lobby of Red Hat Tower.
A photo shows a poster with the Red Hat brand mantra: No one innovates alone. The hat has been enlarged and partially cropped off the right side of the poster.
A photo of a divider wall at Red Hat tower with the hat printed across 3 panels.

What to avoid

Image showing misuse: The hat on a light background with a purple band, and the hat on a dark background with a white band.

Don’t change the color of the band. 

Image showing misuse: The hat in orange, yellow, teal, blue, purple, and green.

Don’t use the hat in a color outside of our core colors (red, black, white, or gray).

Image showing misuse: The hat tilted forward 60º and the hat flipped vertically.

Don’t flip the hat or change the angle.

Image showing misuse: The hat with all 3 pieces merged into one flat shape.

Don’t merge the crown, band, and brim into one shape.

Image showing misuse: The hat with a drop shadow and the hat with a stroke outline.

Don’t add effects like drop shadows or strokes to the hat.

Image showing misuse: A random drawing of a red fedora with a black band.

Don’t use or create other drawings of hats. Use our hat.

Image showing misuse: A red fedora with a black band created with generative AI.

Don’t generate images of hats using AI. Use our hat.

Image showing misuse: The hat edited to sit on top of the head of an illustrated person.

Don’t place the hat on people, characters, objects, or other logos.